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Not only does he sound out of place, but he's also been accused of making homophobic comments - which makes him feel like an especially egregious choice for an album that proudly features queer lyrics and storylines.ДЄfter the album's release, Halsey was forced to reckon with this oversight and later said she has 'no intention of pursuing a friendship' with him.Doug Walker is a content creator on the YouTube channel who entertains his audiences with his honest movie reviews and sometimes roasts poorly scripted movies on ' Channel Awesome.' He uploaded videos in the form of comedy web series on YouTube titled 'Nostalgia Critic' in 2007. Halsey tries to empower her desperate command by belting its final word in the chorus - four times in a row, using an overambitious melody - when it would actually benefit from a quieter brand of deep, smoldering rage.ДЄll that said, the song's greatest sin is its second verse, helmed by Migos rapper Quavo. The incisive lyric on which the song hinges, 'All I'm sayin' is if you don't love me no more, then lie,' is marred by a sharp turn into 'pointless over-epicness' ( The Guardian). I mean, 'I gave you the messiest head / You give me the messiest head' is just brilliant.Д«ut that poignant simplicity is quickly ruined. 'Lie' is the ninth track on 'Hopeless Fountain could've been an album highlight if the whole song sounded like the first verse: a brutally honest stream of consciousness, reminiscent of spoken-word poetry, with minimal production.

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'Gasoline' pulses and scintillates with defiant chaos, as Halsey builds a shrine for all the flaws in her code and laughs as it burns to the ground. What song could capture her shape-shifting, multi-colored discography better than one that digs its hooks into you from the very first note, one that samples her own work and ruminates on her own power? Insider previously ranked it as one of the best songs of the 2010s decade.ДЇor an artist who could be described as 'punk' just as easily as 'pop' - whose defiance, sincerity, and vulnerability are just as important as her talents for singing and hit-making - what song could speak to her budding legacy more than this passionate outsider's anthem? This song is beloved by Halsey fans, and for good reason. It speaks volumes that 'Gasoline' - a track that was only included on the deluxe version of 'Badlands,' and certainly never released as a single - went platinum with zero promotion. 'Gasoline' is the 13th track on the deluxe version of 'Badlands.' We have to get engaged immediately.'' Yes, those are exact words from an executive at Astralwerks, where Halsey eventually signed. It makes sense that 'Ghost' got label executives scrambling to meet with her, gushing to their teams: ''I just met this girl. The song's short runtime, two minutes and 33 seconds, is stuffed to the brim with similar revelations, weaved through heart-pounding beats and glittering synths.

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'I like the sad eyes, bad guys, mouth full of white lies.' The verse opens with lyrics that are similarly disarming: 'I don't like them innocent, I don't want no face fresh / Want them wearing leather, begging, let me be your taste test,' she sings, smirking, simultaneously self-aware and self-excoriating. She'll tell you exactly how it is, and she won't even hesitate. The song starts with the bridge, one ambiguous line that feels both vague and deeply personal: 'I'm searching for something that I can't reach.' It's an unusual move, but one that set the stage for Halsey's entire career. 'Ghost' is the second track on 'Room 93' and the seventh on 'Badlands.'

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